Boing!

Do pho­tographs con­vey the truth? Pho­to­jour­nal­ism schools have whole courses that make up answers to this ques­tion. It is impor­tant for jour­nal­ists who are writ­ing to tell the truth, I think we would agree. It is impos­si­ble, “true”, but striv­ing for an objec­tive story allows me as the reader to think that I am mak­ing up my own con­clu­sions. Ques­tions arise: what did the writer leave out here? How were the quotes edited? The same ques­tions arise for pho­tog­ra­phy. Pho­to­jour­nal­ists ago­nize over retouch­ing, crop­ping, con­text.
I do not do this ago­niz­ing, at least not in ser­vice of the truth. I am mak­ing some level of fic­tion with my pho­tographs. My writ­ing is cre­ative and while I am telling you some­thing about me, and, I am not (usu­ally) (know­ingly) lying, I am for­mu­lat­ing an openly sub­jec­tive per­spec­tive. The pho­to­graph in this post was recorded dig­i­tally and the cloud had that shape and that is what led me to stop the car and record the scene. It’s a funny cloud, like a spring, right? After I get the raw image I believe my job is to make art and to lead you to feel some­thing. To that end, I devel­oped the pic­ture. I cropped it mer­ci­lessly, increased con­trast, dark­ened the edges of the road­side, added a bicolor fil­ter, increased the struc­ture and sharp­ness of the moun­tain. I reduced the dig­i­tal noise and I elim­i­nated some tiny clouds in the top right and left cor­ners. That was my per­spec­tive and every pho­to­graph and pho­tog­ra­pher has a per­spec­tive, even the most hard-boiled jour­nal­ist who holds the cam­era a foot from his eye and shoots, which is the prob­lem with truth telling and pho­tog­ra­phy. My act of see­ing some­thing with a cam­era changes the truth about what I am record­ing. I have changed it to reflect my per­spec­tive on the truth. Pho­tog­ra­phers who own that real­ity have my respect. With respect to pho­tog­ra­phers try­ing to be objec­tive I would also assert this:

Pho­to­graphic truth is inversely pro­por­tional to the effort exerted to make a pho­to­graph tell the truth.

The harder a jour­nal­ist tries to make just a straight shot with­out influ­enc­ing me and the harder she asserts that what she is doing is objec­tive, the more I have ques­tions about what wasn’t pho­tographed, how the con­trast manip­u­lated to con­vey a point of view, what the angle of light is doing to change my mind. The less a pho­tog­ra­pher makes a play for the truth, the less I doubt them and the more believ­able the pho­to­graph is. Purely fan­ci­ful and con­trived pho­tographs are com­pletely believ­able for what they are and they do not hide any­thing. This pho­tog­ra­pher may have whimsy but she has no guile. Purely jour­nal­is­tic pho­tos raise my sus­pi­cions and are, inher­ently I think, prone to lies.

Dis­cuss.

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